OK it never was going to be a Short History........
Stackridge were and remain one of the most singular bands in the history
of popular music. As they have claimed in the past, influences are as
diverse as Frederick Delius, Frank Zappa, Palm Court Orchestras, The Bonzo
Dog Doo-Dah Band, road drills and many, many more.
Andy Davis and Jim ‘Crun(berry)’ Walter were in the Bristol Blues band
Griptight Thynne. The search for a new musical venture and new bandmates
began when the man who was to become their first and most succesful
manager, Mike Tobin, introduced Michael ‘Mutter’ Slater to the other two.
Within a short time, James Warren had joined, following his response to a
newspaper advertisement and Bill Blake – then cashing in on the prevalent
‘glam rock’ phase for inventing tongue-in-cheek nom-de-plumes, became
first ‘Billy Bent’ and then ‘Billy Sparkle’.
Mike Evans walked into the Clifton, Bristol pub the rest were in, for
Davis’ 21st birthday, with his violin under his arm and was asked to join.
The nucleus of the band was complete. (The pre-history is far more
detailed than this brief synopsis but this is a truncated version,
otherwise you’d be here for the next three days).
Stackridge Lemon was the eventual name adopted, after many similarly
obscure and meaningless names were toyed with, although the ‘Lemon’ part
was quickly dropped. As few gigs were initially forthcoming, Walter left,
to take up a succession of jobs such as postman and gravedigger. Mike
Tobin’s London move saw more gigs forthcoming and, signing to MCA, the
Fritz Fryer (ex-Four Pennies) produced eponymous album, Stackridge,
emerged in 1971. This gave full rein to the band’s diversity and
whimsicality, as well as highlighting their advanced musicianship.
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After two singles were issued, the 1972 follow-up album, Friendliness,
was released. This was perhaps as eclectic as the first, with
instrumentals, more songs about peculiar animals, a 12 bar blues and much
more. Many of the songs from this album, such as Syracuse The Elephant and
Anyone For Tennis are still performed in concert today. Walter was by now
firmly back in the fold – or ‘animal pen’ – having decided life as a
musician was worth another go.
The third album – named after a Magritte picture they liked – The Man In
The Bowler Hat had no less a luminary than George Martin producing it.
This came about because one of his sons had played Friendliness to his
father. Other AIR Studio staff convinced Martin he could do something with
the band. It was 1973 and although the album wasn’t released until 1974,
it was another significant step forward, with Martin’s producing nous and
light-handed orchestration underscoring the band’s development. |
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Mutter now felt reproducing the sound of the album onstage would prove
well-nigh impossible and departed, to serve petrol to people at a Yeovil
petrol station. ‘All change’ was the theme now. Billy Sparkle left to
become George Martin’s PA and chaffeur; Warren and Walter were asked to
leave and Keith Gemmell (saxes, flute, clarinet) and Rod Bowkett
(keyboards) joined. Soon, Paul Karas (bass) and Roy Morgan (drums)
completed the new-look band.
This vastly-different band recorded Extravaganza, which came out on a new
label – Elton John’s Rocket Records. Great things were expected and there
was a special launch gig attended by Elton and others but nothing much
came of what seemed to be a very un-Stackridgean album in places, although
there were naturally many parts where the Stackridge spirit could easily
be discerned. Mike Tobin had also moved on to other things by this point.
Walter rejoined in 1975, replacing Karas and Peter Van Hooke replaced Roy
Morgan. Bowkett went and Mutter Slater was again back in and it was this
line-up that recorded the fifth album, that most fashionable of beasts, a
‘concept’ album about the adventures of an unwanted, unloved old man,
called Mr Mick, The album was partly inspired by Steve Augarde’s
childrens’ book of the same name but the final product wasn’t what the
band had in mind.
Deeming it uncommercial, Rocket Records chopped the material around and
insisted a totally incongruous Beatles cover was added “to give the album
a hit single”. It didn’t and shortly after a 1975/76 tour, which often saw
the group augmented by Ray Russell on guitar, the band ceased to exist.
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In the 23 year gap between the end of the first phase and the beginning of
the second, there were many other musical byways, such as Warren and Davis
forming The Korgis and Mutter playing in Rave To The Grave but these and
many other such projects are ventures outwith the scope of this
necessarily brief historical overview.
Windsong, out of the blue, issued Live in Concert and this was followed by
the Strange Fruit Radio 1 Sessions release. Interest in the band revived
but nothing more was heard, apart from a brief ‘Where Are They Now?’
article in Q music magazine in 1992, in which James Warren said he was
hoping to rekindle Stackridge with Andy Davis “very soon”. And that seemed
to be that.
Late in 1998 however the reconstituted band began rehearsing and in Spring
1999 Stackridge again emerged. The new Stackridge full-length CD, entitled
Something For The Weekend was released in June 1999 and the group embarked
upon their ‘Come Back To Front’ UK tour.
Some 29 years after their first and only other Glastonbury Festival
appearance, Stackridge again appeared in Pilton, gracing the
Croissant-Neuf Stage. A limited edition EP: More, featuring four
alternative mixes of songs from the CD was only available by mail order
from the then-official Stackridge site, managed by Jennie Evans.
Stackridge ’99 comprised James Warren (guitar/vocals), Crun Walter (bass),
Mike Evans (violin/vocals), Richard Stubbings
(guitar/keyboards/accordian/vocals), John Miller (keyboards)and Tim
Robinson (drums). The group continued touring into 2000, although by now
keyboardist John Miller – a songwriting partner of Warren’s from the
Rialto Records/Korgis days – had departed, to be replaced by Ian Towers.
A deal with Demon/Edsel saw the back catalogue re-released, with new liner
notes and the scattered B sides and other tracks previously gathered
together on the Mike Tobin compiled Do The Stanley album now spread across
the compact discs. A Warren cassette originally intended for circulation
only amongst his family and friends, Jim’s Special Easy Listening
Christmas Album, was also issued and some of the songs that later appeared
on Something For The Weekend can also be heard here, either in embryonic
or precisely the same form.
The opportunity was also taken to issue the confusingly-titled The
Original Mr Mick CD. This was the intended concept album before Rocket
Records set to work, hacking pieces out and demanding wholesale changes.
Now disowned by the band, the poorly-recorded Pick Of The Crop
encapsulating part of the group’s set at The Cropredy Festival on August
12th 2000 and the CD-Romp, which amalgamated various pieces of music and
photos into a less-than-satisfying whole, were also released in early
2001.
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By which time, the band had ceased to be, despite a string of live dates
stretching as far ahead as the November. All was silence and myriad
side-projects, barring a 6 song mini CD entitled Lemon, as a nod to their
earliest days as Stackridge Lemon. Then, at the beginning of 2007, arising
from the James Warren & Friends live aggregation came a re-born
Stackridge. This time, four of the original six members were on board,
with Mutter Slater (flute/vocals), Andy Davis (guitar/keyboards/vocals),
James Warren (guitar/vocals) and Crun Walter (bass). They were augmented
by Glenn Tommey – a longtime fellow habituee of the Bristol/Bath scene,
producer of The Korgis, XTC and many others and also a member of other
Warren groups such as The Blue Meanies and the aforementioned Friends.
Glenn’s instruments include keyboards and trombone. Another
Meanies/Friends refugee was drummer Andy ‘Codge’ Marsden, whose pedigree
included playing in Graduate and Tears For Fears.
A third Friends ‘transfer’ was lead guitarist Nigel Newton, with Sarah
Mitchell from the Friends augmenting her Friends role of backing vocals by
becoming the second violin within Stackridge. The role of lead violin was
taken, for one gig only, by Katy Salvidge, who had guested with James
Warren And Friends at a few gigs. Rachel Hall then took over as lead
violinist. With the exception of Eddie John from The Harrisons deputising
for an indisposed Marsden for one gig only, this remains the line-up to
the present day.
Angel Air Records began a major reissue campaign for all the Stackridge
back catalogue in 2006 and the CDs were again reissued with new notes,
photographs and memorabilia illustrated. The bonus tracks found on the
earlier Demon/Edsel reissues were also included but grouped more
appropriately, depending upon time period. The first Angel Air release was
Sex And Flags. This had been intended as the title for the 1999 CD on
Stackridge’s own Dap Records label but it was ultimately rejected in
favour of Something For The Weekend. The Cd combined all of Lemon and much of Weekend but included two new songs – Andy Davis demos that had
originally been submitted for consideration for inclusion in Weekend,
before Davis’ departure.
Angel Air also issued Warren and Davis solo material, such as the Burning
Questions and Clevedon Pier compact discs respectively. These also boasted
additional tracks and a revised, slightly retitled Jim’s Easy Listening
Album was released with a couple of cover songs removed, the Goon-ish
interludes also lacking but yet more previously unobtainable material
added. Once again, all came with revised/new artwork and new liner notes,
pictures and the like.
April 2007 saw the first-ever Stackridge DVD – The Forbidden City. This
was a record of their return gig at The Rondo Theatre, Larkhall, Bath on
Sunday 1st April and as well as the full concert included rooftop
interviews with the four main protagonists and a quiz, leading to a bonus
clip (not from the show). Many of the shows garnered gratifyingly good
reviews and Peter Paphides, Chris Evans, Stuart Maconie and Johnnie
Walker have been just some of the few who either frequently mention the
band on air or play their records. Although never released as a single,
the Walter composition A Wonderful Day received many plays on national
radio shows such as Walker’s in 2006.
The 2007 gigs have all been rapturously received by very appreciative
audiences and there are now ongoing plans to expand both the number of
gigs and the geographical spread of same. A date for Glastonbury 2008 has
already been tentatively pencilled in and there will be many more concerts
and festival appearances, both in the UK and possibly abroad
Ade Macrow, July 2007
(Note
from website editor .... "Wow..Thanks Ade" |



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